
Free, practical guides for independent artists who want press coverage, blog features and playlist placements without paying for an agency.
Music PR (public relations) is the work of getting journalists, bloggers, playlist curators and radio hosts to talk about your music. For independent...
A good review does more than praise your song. It gives you a quote for your bio, a link for your EPK, and a new audience that trusts the writer's...
You do not need money to start promoting your music, but you do need a plan. This 90-day framework focuses on free tools and consistent effort, and...
Your pitch email is often the only chance you get to make a first impression. Editors read dozens a day, so the best ones are short, specific and easy...
Many artists search for "how to send music to blogs" and end up paying for services before trying the free route. You can reach real editors without...
An EPK is a single page or folder that gives journalists everything they need to write about you. A good one saves an editor time, which makes a...
Most bios are long lists of influences and adjectives. Editors want a quick, clear picture of who you are and why the story is worth telling now.
Music promotion ranges from free submissions to agency retainers costing thousands. The right choice depends on your goals and your stage.
Coverage rarely comes from a single email on release day. Independent artists get better results by planning the weeks around a release.
A press release gives an editor the facts of your release in a format they can paste, quote and publish. It does not need to be long, just clear.
Small mistakes get pitches ignored. These habits separate artists who get replies from those who don't.
You do not need a big audience to get written about. Many blogs and magazines specifically look for new artists, because discovery is what their...
Editors choose stories partly on the images available. A sharp, well-composed photo can decide whether your feature runs.
Silence does not always mean no. Editors are busy, and a well-judged follow-up can bring your email back to the top.
Understanding how editors choose what to publish helps you pitch smarter. Most look for a combination of these factors.
Searching for "music blogs that accept submissions" returns long lists, many outdated. A smaller, researched list of fifteen to twenty outlets will...
Spotify's editorial team considers unreleased music submitted through Spotify for Artists. There is no guarantee, but a good pitch costs nothing.
A review covers a song. An interview covers you, and it can reach readers who would never click a streaming link.
Social platforms change, but a website you own stays put. When an editor searches your name, a clean site proves you are a real, active artist.
College and community stations are often more open to independent music than commercial radio, and many have specialty shows built around new artists.
Releasing music without a plan wastes your best chance at attention. Use this timeline as a starting point and adjust it to your own schedule.